The photograph discussed in this blog post captures a dramatic moment during an attempted deportation of a group of Jews who escaped after the occupation of the Protectorate Bohemia and Moravia. The series of photographs captured on March 30, 1939 at the Croydon airport close to London has attained an almost iconic character; their visual power demonstrates the restrictive approach of Great Britain to Jewish refugees from Nazi occupied Europe. For instance, the photo was used to this effect in the opening section of a recent Wiener Library exhibition. However, the refugee carried by force to the airplane remained unknown and nameless, as do most photographed refugees to this day.
Thanks to a documentation project on the Jews in Ostrava (described below), the identity of the person could be ascertained and the background of these dramatic events much better described. Moreover, it provides a possibility to look critically at how photographic evidence of refugees and of the Holocaust more generally is used.
Although this blog post is just a snapshot of ongoing and unfinished research, the events at Croydon airport can be reconstructed from the press and newly uncovered family archives.
Who is on the photograph?
Not much is known about the group of mostly Jewish refugees who stepped out of the airplane on the tarmac of the Croydon airport on the Wednesday evening, March 29, 1939, and who were refused entry into the United Kingdom. It appears that most of them came from the region of Moravská Ostrava/Mährisch Ostrau in former Czechoslovakia, a centre of the coal and steel industry and a vibrant Jewish community before the war. Given the proximity to the Polish border, many Jews from the region managed to flee in the early period of the Nazi occupation. It can be deduced that pre-occupation contacts and networks made it possible for them to connect after escaping to Poland.
The identity of the refugee carried by officials at Croydon was documented by the Ostrava project at the Kingston & Surbiton District Synagogue led by David Lawson. Interest in this far-away and more or less unknown Jewish community in today’s Czech Republic, even if very important before the war, was sparked by a Torah scroll originating from Ostrava which the synagogue has on loan. These scrolls were, along with a large number of other Judaica, confiscated during the occupation and sent to the Prague Central Jewish Museum for safekeeping. After the war, the Communist state, hungry for foreign currency, sold the Torah scrolls to a group of English Jews who aimed to save these objects from destruction and to bring them back to life by distributing them into Jewish communities around the Western world. The Ostrava project was lucky to find a number of former Jewish Ostravaks, many of them living in the UK. Recording their stories and collecting family documents, they not only created a unique archive, but also a world-wide community of families related to Ostrava.
Among the witnesses of Jewish life in pre-war Ostrava was Norbert Goldberg. Bertie (as he was known) shared his large and unique archive of family letters and other documents. Those also included newspaper cuttings with the photo above and letters identifying the man captured there as his older brother Oskar.
Oskar Goldberg was born in 1911 into a Jewish family from Galicia which fled into the interior of the Habsburg monarchy before the advancing Russian army during WWI. In fear of destruction and anti-Jewish violence they made their way to the industrial city of Ostrava where Oskar’s father David would (after having served in the Habsburg army) found a successful textile production and business. Albeit stateless, the family prospered in interwar Czechoslovak nation state and its business expanded.
When the German army marched into Ostrava, on March 14, 1939, Oskar was on a business trip to Poland. Having been warned by his family not to return, he helped to organise the group of refugees and together to charter a plane to the United Kingdom. The family tradition has him, perhaps correctly, as the core organiser and the soul of the whole group.
What happened in Croydon?
The party of 13 refugees came from Warsaw, via Copenhagen, in a plane privately chartered for £600. According to a Daily Express reporter, the refugees arrived on a Danish tri-motor airplane to the Croydon airport late, at 10:30pm, on Wednesday, March 29, 1939. Their arrival was hardly an isolated event. On the contrary, this was a very busy day on which the airport was facing its largest traffic ever. On March 29, four hundred refugees were reported to land there.1 The Manchester Guardian reported different, but also high figures: on Wednesday 257 aliens were said to have arrived, of them 118 German nationals and 45 Czechoslovak. Thursday traffic was similar: 241 including 82 Germans and 81 Czechoslovaks. Only 10 and 20 were refused entry on these days, respectively.2
The group coming from Warsaw, including Oskar Goldberg, was among those turned back. From the available information it seems that only one of them, David (Deszo) Herbst, was allowed to enter the country. Herbst was a prominent textile manufacturer and his wife (a former Austrian tennis star) and daughter were already waiting for him, as were friends testifying to his financial capacity. Herbst was said to have been in hiding for two weeks after the occupation and to have escaped illegally over the Protectorate-Polish border, having crawled 18 miles in the snow.3 The remaining twelve refugees were detained and brought to police stations in Croydon and Wallington and supposed to be returned the next day to Copenhagen. Why then was this group refused entry?
Following the occupation of the rest of the Bohemian Lands (March 14-15, 1939), the British Home Office introduced obligatory visa requirement for the citizens of the Nazi-dominated Protectorate Bohemia and Moravia. Therefore, the refugees apparently hurried to arrive just before the restriction coming into effect on April 1, 1939. It seems, though, that the decision to deport them was taken because they weren’t deemed regular visitors (who could enter free of visa), but rather as refugees who would require a guarantees for entry. The exact reasons for the refusal are reserved for future research.
Most significantly, the group hadn’t made arrangements with local aid organisations and lacked the required guarantees. In 1933, the British Jewish community pledged to the government to provide financial guarantees for Jewish refugees from Germany. Support from a refugee organisation or an individual possessing enough means became a condition for entry and for allowing even a temporary stay. Following the Munich Agreement, the British Committee for Refugees from Czechoslovakia was created which raised funds for social care and made arrangements with the Home Office and sponsors. It appears that the committee first declined to take responsibility for this group of refugees, for reasons not yet clear. The arrival wasn’t coordinated ahead of time and Jewish refugees didn’t make the list of priorities. Possibly, the original refusal might be related to the stateless status of at least some refugees. According to newspaper reports, a Czech doctor who himself was a refugee, was allowed to visit them at the police station and found them “haggard and worried”.4
Power of the photograph
On Thursday, March 30, the group was escorted back to the airplane to be returned to Denmark and further on to Poland. According to the family correspondence and to the testimony of Bertie Goldberg, Oskar saved the entire group of refugees by staging a physical protest against the intended deportation. He began to scream, lying down and refusing to move. According to newspaper reports, others from the group joined him. After being forced back onto the plane, they started to pound on the windows and threatened to jump out of the airplane in mid-air. The Danish pilot, afraid of a possible disturbance onboard during the flight, refused to take off. Following this incident, the officers at Croydon decided to deport the group to Copenhagen by ship.5
Taken by the Daily Mail photographer Weston, the photograph of Oskar Goldberg was one of a series of photographs showing refugees at Croydon being escorted back to the airplane, or in shock upon learning that they eventually would be allowed to stay. Yet, it proved to be more than just documentary material. The photographs themselves became part and parcel of the story of the refugees they depict.
According to Bertie Goldberg, Oskar staged the incident after having noticed the presence of reporters, a media affair specifically for their eyes and cameras. A letter from his family in the Protectorate also gives a glimpse into his ironic depiction of the events (Oskar’s letters, typically for correspondence into occupied Europe, haven’t survived the war): “It is really sad that you were allowed to remain only after you had been through such difficulties and all that drama. But I really had to laugh at your report and the accompanying pictures. You were, in any case, very energetic and have definitely become someone important. Max thinks that you ought to get a Hollywod [sic] contract!”6
The publication of the large photograph of Oskar Goldberg being carried against his will to the airplane, in the Daily Mail on March 31, 1939, might have a decisive influence over the fate of the group. Immediately after its publication and probably in reaction to it, the Czechoslovak refugee committee decided to guarantee for the group which in consequence was allowed temporary residence in the United Kingdom.7
The photograph provides insights into and invites to critically consider the visual representation of refugees and refugeedom. Refugeedom is – of course – often difficult to capture visually, through the media of photography. Refugees can be mostly photographed in “banal”, daily-life, situations that need knowledge or further explanation to recognise and understand. That’s why images like this one, visualising refusal which – in most cases – resists being caught by the lens of a camera, attain such a significance.
The rest of the Goldberg family received no media attention. Once in London, Oskar stayed in the Jewish Temporary Shelter in the East End and feverishly tried to arrange immigration of his family. Immediately after the occupation of Ostrava, Oskar’s father was warned to leave and together with his other two sons, Max and Norbert, illegally crossed the border of the now occupied Protectorate Bohemia and Moravia to Poland, using the services of a people smuggler. Whereas David joined his family in Oświęcim, the brothers strove to follow Oskar to Britain. As the chance of obtaining regular visa was bleak, they were only able to receive transit visa, based on the steam tickets from the United Kingdom to Shanghai bought by Oskar. In this way, the brothers were re-united in England before the outbreak of the war. As if replicating the pre-WWII success of their father, they established a successful textile business in the United Kingdom.
The family letters between the Protectorate and the United Kingdom show the desperate attempts to bring the rest of the family out. Yet, the outbreak of the war and the tightening of the visa obligations made it impossible. Oskar’s father living now in Oświęcim, his mother and sisters with their families in the Protectorate were all deported and killed during the Holocaust. The fate of the Goldberg family is documented and their archives made accessible through the online exhibition and in the online catalogue of the Jewish Museum in Prague.
The author would like to express his gratitude to colleagues who have contributed to various aspects of this article: Felice Hardy, David Lawson, Louise London, Magda Veselská, Barbara Warnock. All mistakes are – of course – mine.
- “400 Refugees Land in One Day at Croydon.” Daily Express, March 30, 1939. ↩
- “Czech Refugees Who Came by Air to Stay.” Manchester Guardian, April 1, 1939. ↩
- “400 Refugees Land in One Day at Croydon.” Daily Express, March 30, 1939. ↩
- “Czech Refugees to Stay in England. Men Who Created a Scene at Croydon.” The Times, April 1, 1939. ↩
- “Screaming Aliens in Air Liner. Pilot’s Refusal to Take off.” The Times, March 31, 1939. ↩
- Letter to Oskar Goldberg from family in the Protectorate, May 9, 1939, Jewish Museum in Prague, Shoah History Department, collection Jews in Ostrava, family archive of Norbert Goldberg. ↩
- Manchester Guardian attributed the guarantee to the Jewish German Aid Committee, but this seems to be unlikely. ↩
5 Comments Leave a reply
Oh my god this picture and others of that day are in my head for years and sometimes i cannot sleep thinking of that day
And now we have right wing populists in europe and USA
The picture is depicting a very deplorable dramatic scene. It is also a remembrance of second world war. The picture has so many aspects of discussion.
Well done Oskar!!!!
Thinking about the British government’s response to the Ukrainian refugee situation, these photos that I saw at the Wiener Library exhibition a few years ago have come to mind. As in a previous post, these images have haunted me for years. What wasn’t clear to me in the exhibition, is that these photos are of the refugees being forcibly deported back to Nazi occupied Europe. That makes these photos even more shocking. Thankfully Oskar Goldberg and the group’s protest successfully grounded the plane. Had they simply boarded the plane, this story would have had a very different ending. There is a lesson in this.
Thank you so much for researching and posting this. It completes a circle for me of the meaning of these troubling photos.
My dad Frank Davies was working at the Royal Aerodrome Hotel at this time and witnessed people screaming and struggling as they were forced onto the plane. The sight and sound of their desperation haunted him for years.